Cult TV Blog

I recently took a leap in the dark and bought the box set of Timeslip, a show I've never really fancied on the basis of its reviews on the internet. Part of the reason for that is that I like my vintage TV to reflect the contemporary world and I have a preference for series beginning in the sixties up to the end of the seventies. Naturally I make arbitrary exceptions to this rule when it suits me. One of the things about mainly sticking with one period of television is that I become familiar with the conventions of the time, and thus it becomes comfort TV. The world view I find myself banging on about here is the contemporary 'modern 'reverse one of hope in the scientific future, frequently combined with warnings of what could happen in the event that the burgeoning technology gets into the hands of a diabolical mastermind. I am currently in the midst of several shoes which treat time in different ways, so this post will be about several at once. The first is The Cha

I have been watching The Moonbase, and I'm liking it very much. Not for the first time it has made me ponder that Cybermen appear in Doctor Who, and Cybernauts appear in The Avengers. Cyber of course indicates that something pertains to the world of computers, information technology and, nowadays, virtual reality. Much of this was a fond dream in the 1960s but the appearance of this word reflects the contemporary enthusiasm for the brave new world of science, an enthusiasm I have written about here frequently. I have also written about the corresponding fear of what happens when technology gets out of hand, which is of course present in the depiction of both Cybermen and Cybernauts. I had wondered before whether anyone else had made a connection between these two monsters, and of course fandom didn't fail me, see for example  here.  That link also kindly did my homework for me and revealed that the Cybernauts were first broadcast a full year before the Cybermen made their

I try not to do much in the way of description here, because there's a lot of that about on the internet. In the case of Target there isn't any, so here we go. Hackett arranges a sting because he is informed a strong van is going to be raised. It doesn't happen but he finds his informant has been murdered in his own car. Hackett immediately suspects Maynard, a local respectable luminary of being behind this, and confronts him at the golf club. After twists, threats and intimidation, and much police footwork, the truth about what is happening on the ship, is revealed. I love the glee with which Hackett confronts Maynard at the end. I commented before that the cars in this show are gorgeous. Hackett is given a mark 3 Ford Cortina to drive after the murder in his original car, a more recent Ford. The flares are also quite something. Apart from the cars what most strikes me about this show is how old fashioned the police's office looks. The clattering of typewriters do