Cult TV Blog

I have watched through the whole series in a day while I have unwell and have some impressions. 1. When you watch the show like that its different authors and abrupt cancellation really do show. 2. This isn't a bad thing - it goes with the plot of an occult conspiracy. 3. The theme music and visuals give exactly the right impression. 4. My original impression that in places it's a gallery of 1970s pyjamas, remains. 5. Bizarrely for the age, while there is obviously a sexual relationship going on, Anne remains fully dressed. 6. Also bizarrely, Tom wears progressively less as the series goes on, and not just to a bare chest, but has a conversation with his brother wearing only his underpants, when elsewhere in the show we see he owns a dressing gown. 7. I feel a certain bleakness about the show is deliberate. 8. How did the writers know the plot of the X-Files, twenty years later? I quite like this format of post, actually, I know I tend to be a bit verbose.

I have only been to Edinburgh once, and my main memory of it was the amount of stone used in its construction. In comparison to the more recent towns and cities down here in the Midlands, which use more brick, the stone gives a very different feel, and I remember finding it quite oppressive. That said, I was surprised at how much I liked the street scenes in this episode - they give a wonderful impression of quirk individuality and hidden parts of the city, as well as the feel of the 1970s. I particularly like the effective use of the Edinburgh dungeon as one the scenes. In this episode many of the previously-raised themes are elaborated and the loose ends begin to come together. Once again the preoccupations of the age are brought out and given an airing: drugs ( in this case peyote), religion (in this case vodou), foreigners who may or may not be sinister, and let's face it the tacist attitudes come out think and fast. In addition to the possibly sinister foreigner we have 'n...

What a dream magical ability would be for pretty much anyone. I do love what happens to Sir Willoughby at the beginning of this one - there can surely be no-one who has not dreamt of the ability to influence people (if not actually kill them, as here), from a distance. This episode makes it very plain that being on the receiving end of that ability would be a fairly scary place. Several other things are also made plain in this episode: that Omega has penetrated to the highest levels of society, for a start - a permanent under-secretary's assistant being fairly high up. The only thing that is wrong is that the assistant removes the band from the cigar he gives him to smoke, so obviously the government agency in question started to go wrong when they started employing men who were not gentlemen! Omega's ambitions are also clearly international rather than being limited to one government alone. I don't know when masonic/illuminati/new world order conspiracy theories fate from,...

This will be a short post because I only have three things to say about this episode. The first is that Martindale is not noticeably in charge of what goes on in his department, in fact we even see him on the phone to some (presumably) superior, acknowledging that Crane does what he likes. I find it inconceivable that Department 7 could be run in this way, and that it is more likely that the personnel would not only be hand-picked but very carefully vetted and controlled to make sure they are 'discreet'. That said, Martindale is repeatedly made out to be suspicious, so of course it could be that this is entirely deliberate. The second is that Crane is shown up as being a loose cannon in this one. He gets himself into trouble by trespassing, surely something an official of a secret government department would not dream of doing. It is apparent again that the department is not really being run that well. Martindale even has to send someone else, Anne, to stop Crane getting hi...

Perhaps I had better come clean at the beginning of this post, and admit that I do myself have some quite incredible psychic abilities, which gave particular trouble when I was at school. I actually went though some real trouble as a result of my abilities. The PE teacher insisted that it couldn't possibly be the ghost of a dead footballer who kicked the ball which hit him in the back of the head. He was just as reluctant to believe that despite his often-expressed opinion that I would never be any good at sport (funny idea of teaching, he had), when I suddenly showed a remarkable aptitude for rugby in the one term we played it, that it was because I had channeled the spirit of the boy at Rugby School who first picked up the ball and ran with it. The art teacher, who was also convinced I 'couldn't' do his subject (in fact the more I think about it, I wonder what the point of that school was at all), refused to believe that it was 'automatic painting', dictated b...

It's not really surprising that I was thinking of skipping over the last episode and rushing straight into this one, because this one takes us into classic parapsychology territory from the word go, with a seance. In this case it's lucky that the actors are keeping a finger each on the wine glass because otherwise a disembodied spirit may not be willing to communicate merely by moving the glass. Although employing dead people in theatre would of course be a great saving in Equity fees. Can you sense I've woken up with a little pixie in me today? Actually despite its classical kids-messing-with-the-occult script this episode raises all sorts of questions for me, some of which I think might just be me being critical or feeling silly. One is that the students who are key players and open the episode, are dressed all wrong. By this I mean that the old-fashioned styles of clothing some of them wear (I think they may have been having a vogue at the time this was made) visually...

Let me come clean. I wasn't going to blog about this episode at all. I put it on and it just didn't grab me: in fact I didn't really understand what was happening with it. I was eager to move on quickly to the classic parapsychology of the following episode. But then that's one of the reasons I blog about these shows - to make me understand them better. On deeper consideration I think this episode also takes us into the classic territory of cult TV. It's the sort of all-pwerful psychological medicine we see used so abusively in The Prisoner, and warned against so graphically in The Avengers. Looked at like that, this Omega Factor episode is in classic cult TV territory - the baddies have the ability and can misuse it to their will. Drexel's references to the way sensory deprivation is probably employed for pleasure in California, also indicate that these sorts of technology tend to be rather self-indulgent rather than of any use in the cutting edges of medici...

While I have no doubt that I will run out of steam and this show will join the procession of series of posts which I have started and not finished as my grasshopper mind gets distracted, for the moment I am on a role. I have to correct something I wrote in yesterday's post, since I have found that the show has actually answered a criticism I made. When I started my laptop this morning and pressed play for the DVD it started somewhere rather random (obviously this should be subject to a parapsychological investigation in the near future) and I found in the meeting with the Department 7 man in the first episode, that Crane actually did have psychic phenomena happen as a boy. He had suppressed them from his memory but his mother had actually contacted the department herself to make them aware of her progeny. Apparently The Omega Factor was made in a bit of a rush and different writers had to be commissioned for each episode. This shows in the fact that this one feels very different fr...

If nothing else the phenomenal nature of Crane's psychic abilities come to the fore in this episode. That is what makes The Omega Factor great television - it quite rightly exploits this ability to great effect. What particularly interests me in this episode is the way the parapsychology of the time is showcased very clearly. By the time the X-Files were being made twenty years later, while obviously the skills were the same, there is a lack of the sort of 'science' exhibited in this episode. Many of this science's aspects will be familiar to viewers of the TV of the 1960s and 1970s. The cards used to show psychic ability in The Prisoner, for a start. I particularly like the investigation of the house: it reminds me of nothing more than the opening scenes of the Sapphire and Steel adventure set in the railway station, in which the ghost hunter is setting up his equipment. A technology used in both Sapphire and Steel and here is that of recording the environment and s...

I'm sorry to return to one of my preoccupying worries, no matter how briefly, but regular readers here will know that I get rather worried that the supply of old TV will dry up. Of course it has to happen sooner or later, leaving only the rare discoveries of odd Doctor Who snippets in Zimbabwe or wherever, but once again my fear has been assuaged. I have discovered yet another series which I had never heard of and which is available in its entirety, reasonably priced, from reputable sellers, on region 2 DVDs. It is The Omega Factor, and given its subject matter I am amazed that I had managed to miss it this long, until it came up as a suggestion for me on Amazon. I try not to repeat information easily obtainable elsewhere on the internet on this blog, which is my excuse for why it mostly consists of my own opinions with a minimum of research. In this case googling the name of the show gets you as much information as you could ever want about its history and production. Highlight...